In November 2011, professor Miguel Angel Muñoz dictated a course on Brazilian Modernism, in which he outlined the milestones of the plastic renovation that tried to realize an art as modern as Brazilian. The starting point was the 1922 Modern Art Week, which not only involved the visual arts, but also literature and music. He illustrated the explanations with works by Tarsila de Amaral, Lasar Segall and Emiliano Di Cavalcanti, amongst others.
MIGUEL ÁNGEL MUÑOZ. Bachelor on Arts (UBA). Member of the Argentine Center of Art Researchers. Teaching activity: Professor of "History of American Art II" at the Faculty of Philosophy (University of Buenos Aires). Professor of "History of Art and Argentine and American Culture III and IV" at the Universidad del Salvador. Professor of "Argentine Art I and II" at the University of Palermo. He teaches courses at the Friends Association of the National Museum of Fine Arts. Publications: Various works on the history of Argentine art in the first decades of the 20th century. The most recent: Los Artistas del Pueblo. 1920-1930. Buenos Aires, OSDE Foundation, 2008.
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